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Stranger on a Train Film Analysis

  • Submitted by: anonymous
  • on August 30, 2013
  • Category: English
  • Length: 1,028 words

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Below is a free excerpt of "Stranger on a Train Film Analysis" from Anti Essays, your source for free research papers, essays, and term paper examples.

The film ‘Strangers on a Train’ by Alfred Hitchcock is one of the best suspense thriller films of all time and was released by Warner Bros Inc. to the public on June 30, 1951. Alfred Hitchcock, a well-known director in the thriller genre, successfully directed films such as Psycho (1960), Rope (1948), The Birds (1963), Vertigo (1958), North by Northwest (1959), and many more. It is clear that Hitchcock usually made thriller films because he preferred to ‘surprise’ or keep the audience ‘sitting on the edge of their seat’. The dark, brooding atmosphere that has been created by the lighting technique, unique camera angles, mise en scene, editing, non-diegetic sound, and also numerous motifs stir the storyline into an eye-catching thing to watch. The numerous techniques have also have made ‘Strangers on a Train’ a good example of Hitchcock’s work.

The plot starts with an innocent conversation between two strangers on a train. Bruno Anthony, a rich psychotic guy, meets Guy Haines, an amateur tennis player on a train. Bruno knows that Guy’s having marriage problems, and spills his idea about an exchange murder, which, Guy took as a joke. This conversation foreshadows later unfortunate events. The main characters in this film are played by Farley Granger, Ruth Roman, and Robert Walker.

Like most of Alfred Hitchcock’s films, the genre of the film ‘Strangers on a Train’ is a thriller. Thriller is a genre which gives the audience suspense, tension, and excitement while watching the movie. It tends to be adrenaline rushing, fast paced, gritty, and have an unexpected plot twist. The aim of this genre is to keep the audience active in vigilance and engaged. To support this genre and storyline, Hitchcock has used multiple camera shots such as medium shots, low angle, close up, medium close up, long shot, and point of view. In the last scene when Bruno is dying, his face was shot with a high angle shot, to make him look ‘small’ or ‘weak’. A close up shot shows more detail...

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